| KALA
GHODA ART FESTIVAL
SREET
SMART
(The Mumbai Age,
February 20, 2002)
There
is so much happening here that you wouldn’t know what
to hit and what to miss. Tinaz Nooshian checks out the ongoing
Kala Ghoda Art Festival, with a quaint exhibition on bottles
and a display of street furniture, as topmost on the must-see
list.

Hair
neatly oiled and combed, wearing their Sunday best, busy eyeing
a past, completely oblivious to one of the biggest art galleries
in the city. But it took just an attractively painted table
and chair bang in the middle of the pavement to veer their
attention away from their absorbing interest. Done up in brown
and yellow ochre, the furniture recreated a roadside barber
stall complete with a shaving kit and a mirror sporting the
tacky image of a 70s Bollywood hero. “Amitabh cut Rs.10,
Shah Rukh Khan – Rs.5, Amrish Puri, Rakesh Roshan free,”
one of them read ou the price list breaking into a guffaw.

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If
someone’s making an attempt to drag art out of the intimidating
confines of the stuffy art gallery and make it accessible
to the public, then it can’t get closer than this. Meher
Bijlani of Artquest has picked motifs from the street, transformed
them into art and returned them back to where they belong.
so if you happen to walk past the Jehangir Art Gallery, you’ll
find the pavement outside lined with a haathgadi, postbox,
park bench and a roadside mandir from a first-of-its-kind
display, Street Furniture, as part of the Kala Ghoda Festival.

“I
thought of taking a piece of the city’s street life,
stuff that you see and take for granted, liven it up and making
it something out of ordinary,” says Bijlani. So you
have a wooden bench by Yashwant Sonawane, painted on with
a lady sprawled across it, amid sea shells and flaming orange
tropical blossoms – very Gaugin, yellow fish in turquoise
waters liven up Brinda Chudasama Miller’s bhelpuri stand
supported by a cane bottom decorated with beaded jewellery,
a Maruti 800 by Prashant Hirlekar portrays travel with winged
humans, aeroplanes and birds taking centre stage, a pani ki
gadi by Hirlekar bears the image of a jal pari.
The
repose has been overwhelming with practically every passerby
stopping to have a dekho and most of the pieces having sold
out at the preview itself. “The utility factor was very
important. The gola gadi is going to be used a dining table,
we’ve put supports on the haathgadi so that it can be
made into a two-seater, the postbox can be used to store laundry
or toys, and the barber table as a computer desk,” says
Bijlani. “Our economic condition doesn’t allow
us to splurge on art that can only be admired. We Indians
want to possess and use,” explains Prashant Hirlekar
who considers it “a challenge” to paint on diverse
surfaces. “A canvas is plain while every object offers
a subject. It’s fun, like in the barber stall where
each brush, razor, scissor that I’have painted on, are
a sculpture in themselves,” says the artist who started
off by painting a jerry can, creating eyes on either side
of the handle that became a nose and the opening, a month.
|
DESIGN
- A - THING
(Mid-Day, February
16, 2002)

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The
Kala Ghoda Art Festival has made way for some artistic experiments
and collaborations making it possible for Artquest to present
this collection. There is also an array of object d’art
made by designers who graduated several years back from the
National Institute of Design, Ahmedabad. Called Two Decades
of Design, brainchild of Sangita Kathiwada of Morcrafts it
includes chairs, telephones, paperweights, and more such utility
and decorative objects made creatively.
Beside
the serious art that one finds in galleries it is during this
festival that one comes across new ideas. For instance Bilmat
Zeramicz invited ceramists and painters to work together to
make platters. And some artists have teamed up with street
children of Akanksha to paint wood objects like cupboards,
chairs and benches.
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STREET
STYLE
(Ellenow, March,
2002)
Artquest,
Mumbai has embarked on an innovative venture – they
take a street object like a bench, a postbox or even a handcart
and convert it into a piece of art! These everyday objects
are painted on by prominent artists and have great utility
value for your home or the office. Displayed at the Kala Ghoda
Art Festival last month, these are available at Artquest as
well. Hurry, these one-of-a-kind pieces might vanish right
under your nose! Inquiries (022) 2150220. |
|
IN
QUEST OF ART
(Afternoon Despatch
& Courier, February 25, 2002)

The Artquest exhibition at Kalaghoda is worth a dekko
Have
you ever stopped to admire a post box or a haathgadi? Sounds
absurd... not really. The Artquest exhibition, part of the
Kalaghoda Art Festival is displaying “street furniture”
where mundane objects are turned into objects of art and is
making people stop and take notice of these objects.
The
show was conceptualised when Kitchen Art Show was exhibited
at the Indigo Restaurant last year and received positive response.
Artquest decided to take a step further, They drew a list
of interesting items seen on the streets and worked upon them
to convert these objects into works of art. The items were
chosen such that they could be sold as useful items for homes
and offices. A ‘haathgadi’ gets converted to a
two seater, a ‘golagadi’ into a dining table and
a post box into a laundry box or other storage bin. Talk of
creativity!
Postbox,
haathgadi, bhelpuri stand may be a common sight but procuring
these items for the exhibition was a tiresome task. Meher
Bijlani, the person who has conceptualised and curated the
show says.” When we went searching for these items we
literally had to stop gadiwalas on the road and ask them where
we could buy these”. In fact some of the items had to
be especially made for the show. The artists were given a
free hand in painting these objects. And the outcome of this
painstaking task is the colourful and innovative furniture
which are on display.
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The
exhibition in keeping with its theme of street furniture is
displayed on the pavement outside Jehangir Art Gallery. Other
than the art collectors and artists, the exhibition is attracting
attention from students who are intrigued by this art from
and occasional passers by who stop to take a look at these
items. The motifs on these items are vibrant in colour and
open to various interpretations. The man balancing on a wheel
depicted on the haathgadi with his thumb imprint depicts his
illiteracy. His eyes wide open point towards the fact that
he has to be on the watch all the time to survive in this
unequal world.
Meher
Bijlani adds that she has been over-whelmed by the audience
response and most of the items on display have been sold.
She says that the furniture pieces were mostly bought by youngsters
who are keen to have things which look different and dare
to experiment. The artists whose work are on display are Prashant
Hirlekar, Yashwant Sonawane, Amritraj Koban, Nitin Utge and
Brinda Chudasama Miller.
As
far as the next Artquest project is concerned, Ms. Bijlani
says that it could be anything from painting buses to railways.
So don’t be surprised if one fine day you find 8:47
you have been taking everyday painted and sporting artistic
touch.
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FUNCTIONAL
ART
(Times Property,
February 15, 2003)

Meher Bijlani
of Artquest Gallery has some unusual furniture on display
just outside the Jehangir Art Gallery this week as part of
the Kala Ghoda Festival, which ends tomorrow –
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Coffee
tables made by putting glass over children’s tricycles
and Singer sewing machines; an old-time wooden plate rack
converted into a CD holder, 60 year old prams, cabinets and
chairs that have been given a new look as works of art.
Old
recycled pieces of furniture, including indoor; outdoor and
children’s furniture have been converted into functional
art, painted over by artists like Yashwant and Vishnu Sonawane,
Prashant Hirlekar, Sanjay Raut and Mohan Patil.
Meher
also has a range of ‘Kitchen Art’, she collects
old kettles, jugs, plates, spoons and other items and gets
them painted, converting them into art objects that would
lend a unique touch to homes.
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(The
Times of India, February 22, 2002)
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Artquest
will show-case street furniture on the pavement outside the
Jehangir Art Gallery. Conceptualised and curated by Meher
Bijlani, the exhibition taps into the experiences of life
in Mumbai – seeing the haath gadi, the gola gaadi and
gives them an artistic interpretation. Items on display include
a pani ki gaadi, a bhelpuri stand and a roadside barber stall.
The exhibition will be on till Sunday. |
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